Literary Illusions
Christopher Pittard
£19.99
Nineteenth-Century and Neo-Victorian Cultures
£24.99
Explores the role of violence in relation to Anne, Charlotte and Emily Brontë’s literary productions, receptions and cultural legacies
The well-known and well-loved writings of Anne, Charlotte and Emily Brontë are full of violence. From the many battles waged in their early writings to the violent emotions and threats expressed in their published novels, the Brontës’ representations of brutality shocked Victorian reviewers and continue to surprise readers in the twenty-first century. Violence and the Brontës accounts for such intense reactions by reading the sisters’ literary violences as transformational, encompassing harm, pain and suffering while at times also signalling creativity and even renewal. Through a new reading of the Brontës’ major works, as well as film, stage and television adaptations, this book argues that violence is at the centre of the Brontës’ imaginative engagements with nineteenth-century life. In the process, it demonstrates how violence continues to be vital to interpreting the Brontës’ reception history and afterlives in modern culture.
This is a meticulously-researched, comprehensive study of the ways in which violence both underpins the Brontës’ major works, and informs critical and creative reception of these works. It probes received Brontë lore with precision, grappling with established biographical readings [...] and problematising the tenacious critical readings of, for example, Sandra Gilbert and Susan Gubar. [...] Conceptually rich, and rigorously well-informed, it is also an invigorating read; there is a freshness and verve to Franklin’s writing that makes this book accessible and interesting, as well as authoritative. [...] It feels like an important and enduring contribution to Brontë Studies.
From their first publication to the present day, generations of readers have been fascinated and troubled by the Brontë sisters’ depictions of violence. Sophie Franklin explores the ways in which ‘violence’ is differently configured within each of their works, and the problems it has posed for their later readers and critics. This absorbing and wide-ranging study sheds new light on the continuing strangeness of these well-known texts and the meanings they have come to bear.
Acknowledgements
Series Preface
Abbreviations
Introduction: The Brontës and Violence
1. ‘Generally represented by a dash’: Emily Brontë’s Stylistics of Violence
2. ‘The acute diseases of nations’: Contaminating Violence in Shirley and Angrian Tales
3. ‘Cupid’s arrows have been too sharp for you’: The Violence of Romantic Love in Jane Eyre and The Tenant of Wildfell Hall
4. ‘After the manner of Jael and Sisera’: Transformational Violence in Agnes Grey and Villette
5. ‘Sugar and spice and all things nice’: Brontë Afterlives and the Legacies of Violence
Conclusion: The Brontës' Violent Returns
Bibliography
Index
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