Nineteenth-Century and Neo-Victorian Cultures

The Provincial Fiction of Mitford, Gaskell and Eliot

Format

£24.99

Not available to buy at the moment

About this book

Considers the interrelated careers of three highly significant women writers of the nineteenth century
  • Traces a chain of influence among three highly significant women writers of the nineteenth century: Mary Russell Mitford, Elizabeth Gaskell, and George Eliot
  • Reconsiders the literary category of provincialism and the genre of the village story with due consideration of a range of publication formats and contexts
  • Works across literary periods to offer innovative rereadings of several important Romantic- and Victorian-era texts
  • Combines nineteenth-century cultural-historical and literary analysis to advance recent revaluations of liberalism by considering its emotive and not just its ratiocinative dimensions

In this lively and illuminating work, Kevin A. Morrison offers a reassessment of Mary Russell Mitford’s and Elizabeth Gaskell’s provincial fiction, sometimes deprecated within a genre frequently considered ‘minor literature’, and demonstrates the importance of their work to the development of George Eliot’s liberalism in the age of high realism. Although Gaskell was influenced by Mitford, and Eliot by Gaskell, only a handful of scholars have considered the affinities and resemblances among them. None have done so in depth. Establishing a chain of influence, this book examines the three authors’ interrelated careers: the challenges they encountered in achieving distinction within the literary sphere; the various pressures exerted on them by publishers, reviewers, and editors; and the career-enhancing possibilities afforded, and the limitations imposed, by different modes of publication. Attending to publication history, genre, and narrative voice, Morrison suggests new ways to think about provincialism, liberalism, and women’s networked authorship in the nineteenth century.

Reviews

Morrison’s monograph is a pleasurable and thought-provoking read that successfully links Mary Russell Mitford, Elizabeth Gaskell, and George Eliot together for the first time in a chain of influence. Morrison tackles a varied and robust set of ideas and does so in a lively and readable manner. His application of Boym’s differentiation of restorative and reflective nostalgias allows him to reframe the provincial fiction of these three women writers in a way that reveals their progressive nature. It is a wholly refreshing take on Mitford, Gaskell, and Eliot, and stands as another superb addition to Kevin A. Morrison’s existing output.
Brilliantly discerning, Kevin Morrison tracks the ways, over Britain's unsettling century of change, that three notable women writers seized the potential of periodical and serial publication to engage the rural village with the burgeoning metropolis, by activating reflective nostalgia to image the countryside as the national home. An absorbing narrative, engagingly told.
Table of contents

List of Illustrations

Acknowledgements

Series Preface

Introduction: The Politics of Provincial Fiction

1. Sketches of Rural Character: Mary Russell Mitford’s ‘Fugitive Pieces’

2. Sketches of Rural Scenery: Mitford’s Country Rambles

3. From Sketches to Papers: Gaskell’s Country Village

4. Landscape-Shaped Subjectivity: George Eliot’s ‘Mother Tongue’

5. A Wider Horizon: Portable Interiority and Provincial Life

Conclusion

Bibliography

Index

About the author

Kevin A. Morrison

Kevin A. Morrison is Provincial Chair Professor, University Distinguished Professor, and Professor of British Literature in the School of Foreign Languages at Henan University. He is the author of the Modern Language Association award–winning Victorian Liberalism and Material Culture (2018), as well as A Micro-History of Victorian Liberal Parenting (2018) and Study-Abroad Pedagogy, Dark Tourism, and Historical Reenactment (2019).

More in this series

See the series →