Literary Illusions
Christopher Pittard
£19.99
Nineteenth-Century and Neo-Victorian Cultures
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In this lively and illuminating work, Kevin A. Morrison offers a reassessment of Mary Russell Mitford’s and Elizabeth Gaskell’s provincial fiction, sometimes deprecated within a genre frequently considered ‘minor literature’, and demonstrates the importance of their work to the development of George Eliot’s liberalism in the age of high realism. Although Gaskell was influenced by Mitford, and Eliot by Gaskell, only a handful of scholars have considered the affinities and resemblances among them. None have done so in depth. Establishing a chain of influence, this book examines the three authors’ interrelated careers: the challenges they encountered in achieving distinction within the literary sphere; the various pressures exerted on them by publishers, reviewers, and editors; and the career-enhancing possibilities afforded, and the limitations imposed, by different modes of publication. Attending to publication history, genre, and narrative voice, Morrison suggests new ways to think about provincialism, liberalism, and women’s networked authorship in the nineteenth century.
Morrison’s monograph is a pleasurable and thought-provoking read that successfully links Mary Russell Mitford, Elizabeth Gaskell, and George Eliot together for the first time in a chain of influence. Morrison tackles a varied and robust set of ideas and does so in a lively and readable manner. His application of Boym’s differentiation of restorative and reflective nostalgias allows him to reframe the provincial fiction of these three women writers in a way that reveals their progressive nature. It is a wholly refreshing take on Mitford, Gaskell, and Eliot, and stands as another superb addition to Kevin A. Morrison’s existing output.
Brilliantly discerning, Kevin Morrison tracks the ways, over Britain's unsettling century of change, that three notable women writers seized the potential of periodical and serial publication to engage the rural village with the burgeoning metropolis, by activating reflective nostalgia to image the countryside as the national home. An absorbing narrative, engagingly told.
List of Illustrations
Acknowledgements
Series Preface
Introduction: The Politics of Provincial Fiction
1. Sketches of Rural Character: Mary Russell Mitford’s ‘Fugitive Pieces’
2. Sketches of Rural Scenery: Mitford’s Country Rambles
3. From Sketches to Papers: Gaskell’s Country Village
4. Landscape-Shaped Subjectivity: George Eliot’s ‘Mother Tongue’
5. A Wider Horizon: Portable Interiority and Provincial Life
Conclusion
Bibliography
Index
Christopher Pittard
£19.99
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