ReFocus: The Films of Alejandro Jodorowsky

Examines the film practice of the Chilean-French filmmaker and artist Alejandro Jodorowsky

• The first scholarly collection dedicated to the films of Alejandro Jodorowsky
• Offers theoretical interpretations from the fields of cinema studies, art history, Latin American studies, gender studies, comparative literature, disability studies, and sound studies, from leading scholars in the field
• Includes both textual and contextual analysis of Jodorowsky’s entire filmography

Known as the father of the "midnight cult movie" and co-founder of the avant-garde Panic movement in France, Alejandro Jodorowsky Prullansky defies all basic categorization. He is known as a provocateur, a performance artist, a visionary filmmaker, a controversial playwright, a philosopher, and a tarot reader, among other disparate classifications. These varied dimensions of artist and filmmaker converge seamlessly into his practice. He is recognized by audiences as a creator of controversial and mesmerizing films characterized by visual delirium, the injection of radical politics and mystical philosophy, and a post-surrealist aesthetics.
ReFocus: The Films of Alejandro Jodorowsky pursues an interdisciplinary approach to analyze and contextualize Jodorowsky’s films according to a variety of conceptual modalities: from occult and mystical orientations, to the political and decolonial aspects of his major films. This collection examines the formative metaphysical elaborations involved in Jodorowsky’s earliest films, his pioneering of a truly unique independent film practice in Mexico, and his emergence and development as a visionary international filmmaker.