ReFocus: The International Directors Series

ReFocus: The Films of Kon Ichikawa

Format

£95.00

About this book

Provides new scholarship on the career of the prolific Japanese filmmaker, Kon Ichikawa

  • This is the first English-language collection on Kon Ichikawa published by an academic press
  • This collection establishes the quality and the importance of Ichikawa’s work across various media and time periods, with references to Japanese-language and English-language sources
  • The contributors take an interdisciplinary approach to Ichikawa, exploring his work from various methodological vantage points and with reference to myriad issues in and between film studies, media studies and cultural studies
  • The analyses across the various chapters connect scholarship on Ichikawa and Japanese cinema to current debates and discourses in media theory and aesthetic philosophy

Bringing together scholars from around the world, ReFocus: The Films of Kon Ichikawa features 12 original chapters exploring the prolific career of the Japanese director.

In addition to an introduction which provides comprehensive biographical information and an extensive chronicle of Ichikawa’s impressively expansive and influential eight decades in the film industry, the chapters range over his filmmaking philosophies and methods, his collaborations with such important figures as his wife and screenwriting partner Natto Wada and renowned cinematographer Kazuo Miyagawa, his fondness for animation and manga, and his adaptations of famous novels by such prominent authors as Yukio Mishima, Jun’ichirō Tanizaki, and Seishi Yokomizo.

Featuring new and groundbreaking work on one of the most important and influential of all Japanese filmmakers, ReFocus: The Films of Kon Ichikawa is a much-needed addition to film studies and the history of Japanese cinema.

Reviews

Kon Ichikawa is not only a perfect subject for the ReFocus series he is one of the most significant. Kyle Barrowman has done a fine job in getting wide coverage of Ichikawa’s long career. There are some wonderful contributors here, bringing on scholars who have already made a significant contribution to the field of Japanese film studies and new voices to bear
Table of contents

List of Figures

Introduction
Kyle Barrowman

1. Isolating Ichikawa: Auteurism between Form and Content
Kyle Barrowman

2. A High Commercial Aesthetic: Rethinking Authorship and Adaptation through the Films of Kon Ichikawa and Natto Wada
Diane Wei Lewis

3. The Way of the Painter: Watching Kon Ichikawa Think Through Images
Isolde Vanhee

4. Two Dark Men: Kon Ichikawa and Kazuo Miyagawa’s Chromatic Experiments in Black
Daisuke Miyao

5. Kon Ichikawa: The Man Who Visualized the Landscape of Collective Memory in Japan
Kiyoko Nagai

6. Kon Ichikawa and the National Imaginary: An Ambivalent Relationship
Christopher Smith

7. The Bitterness of Youth: Punishment Room and the Sun Tribe Films in Postwar Japan
Erica Ka-yan Poon

8. Kon Ichikawa’s Theater of War
Daniel Morgan

9. Staging Scenes of Poetic Justice: Ichikawa’s Kindaichi Mystery Adaptations
Jeffrey DuBois

10. The Architectonics of Voyeurism and Familial Interactions in Odd Obsession and The Makioka Sisters, Ichikawa’s Tanizaki Adaptations
Maureen Turim

11. Orchestrating Spectacles: Project Cinema from Tokyo Olympics ’64 to Osaka Expo ’70
Hideaki Fujiki

12. Kon-mation
Laura Lee

Index

About the author

Kyle Barrowman

Kyle Barrowman is a media and cinema studies lecturer in Chicago. He received his PhD from Cardiff University. He is the editor of Fighting Stars: Stardom and Reception in Hong Kong Martial Arts Cinema (2024) and his work has been published in such journals as Offscreen, Senses of Cinema, Global Media and China, Asian Cinema, Film-Philosophy and New Review of Film and Television Studies and in such edited collections as A Companion to the Action Film (2019), ReFocus: The Films of William Wyler (2023) and The Cinema of Stephen Chow (2024).

More in this series

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