Edinburgh Studies in Modern Arabic Literature

Haunting Energies in the Arabic NovelOil, Ecology and the Spectral

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Published 31 December 2026

About this book

Explores an environmental reading of spectres within the Arabic novel

  • Constructs a body of ecologically experimental anti-epics from the 1970s and the 1980s, bringing together authors typically associated with environmental thinking with those who have primarily been read through other lenses
  • Suggests new ways of reading the Arabic novel’s intertextual relationship to premodern heritage
  • Engages with key works by Al-Tayyib Salih, ‘Abd al-Rahman Munif, Ibrahim al-Kuni and Salim Barakat
  • Proposes an ecological philosophy rooted in Islamically inflected understandings of the unseen and apocalypse at work in the present
  • Suggests new comparative possibilities for the Arabic novel, based in the connecting material and spectral force of pipelines, pollution, climate change and high modernist infrastructure

Demons, jinn, doubles and phantoms populate the Arabic novel, particularly as it turns to transforming, turbulent ecological spaces. From the 1960s, 70s and 80s, literary visions of unbearable heat and fragile, collapsing lands prefigure our current crisis. This book revisits key foundational works of modern Arabic fiction, arguing for the ecological uncanniness of their literary experimentation.

Emphasising the shaping force of dams, road building, oil extraction and climate change, Haunting Energies forges new comparative paradigms for the Arabic novel, connected by way of rivers, pipelines and hydrological schemes.

Table of contents

Note on Translation and Transliteration
Acknowledgements
Preface: Scope and Argument of the Book


Introduction:Unseen Ecologies in Modern Arabic Literature

Part I: Re-Energising the Arabic Novel: Landscapes, Intertexts and ghumūḍ (darkness/obscurity)
1. Palms behind the Smog: Strange Energies in Mawsim al-hijra ila al-shimal (Season of Migration to the North)
2. Tales from the End of a World: The Dark Ecology of Animal Intertextuality in al-Nihayat (Endings)

Part II: The Ecological Anti-Epic
3. Parasites around Palms: Amnesia and Entropy in the “Wad Hamid Cycle”
4. Breaking-Points and Breakdowns: Sickening Minds, Bodies and Lands in Mudun al-milh (Cities of Salt)

Part III: Minor Epics of ghumūḍ (darkness/obscurity) and kashf (exposure/revelation)
5. The Subterranean Poetics of a Creeping Desert: al-Khusuf’s (The Lunar Eclipse’s) Toxic Sahara
6. A Horror that Lurks: Growths, Mutations and Machines in Fuqahaʾ al-zalam (Jurists of Darkness) and Muʿaskarat al-abad (Garrisons of Infinity)

Afterword: From Ecological Epic to Gulf War Haunting

Bibliography

About the author

Charis Olszok

Charis Olszok is Associate Professor of Modern Arabic Literature and Culture at the University of Cambridge, and a fellow of Newnham College. Her first monograph, The Libyan Novel: Humans, Animals and the Poetics of Vulnerability (EUP, 2020), charted the Libyan novel through its vision of human and nonhuman entanglement. Since then, she has published on ecology, oil and the fantastic in Arabic literature. She has also translated several works of Arabic fiction into English.

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