Edinburgh Studies in Modern Arabic Literature

The Modern Arabic Fantastic

Format

£95.00

About this book

Offers the first book-length history and theory of the Arabic fantastic in English

  • Delineates a methodology for reading fantastic fiction in our current historical moment
  • Proposes analytical categories essential for reading fantastic fiction, including genre; minority; disability; popular culture; and affect
  • Counters assumptions about Arabic fantastic fiction makes a case for the indispensability of queer aesthetics for reading Arabic fantastic texts
  • Forges an alternate relational cultural history of the fantastic between 'East' and 'West'

The rich and lengthy Arabic corpus of fantastic fiction is one hidden in plain sight. In more broad studies of both fantastic fiction and Arabic literary and cultural history, it is notably absent. It is rarely, if ever, read as a corpus, much less as one with a rich, meandering, and turbulent history.

As fantastic modes have risen in global popularity over the past two decades, this book joins the revisionist wave of exciting critical interventions questioning the cornerstones of cultural history. It reads the current proliferation of Arabic fantastic stories as a potent return of the repressed and illuminates the persistence of premodern forms and narratives in contemporary cultural practice. Moreover, the book proposes essential categories, epistemes and historical timelines for effectively understanding the corpus of the modern Arabic fantastic, arguing that the fantastic is becoming a modern realism of our times.

Reviews

This original and transformative book will become the necessary starting reference for Arabic literary scholars working on speculative fiction. I expect it will even inspire some contemporary Arab novelists who engage with criticism in English and want to better understand the roots and ramifications of their own literary practice.
Shraytekh provides a refreshing critique of the canons and taxonomies of modern Arabic literature – her method is an adroit mix of structuralist poetics, psychoanalysis and historicism. The book’s use of genre, particularly the genres of gothic and the fantastic, to perform a set of contrapuntal readings will offer important new insights into the Arabic literary historical tradition.
Table of contents

Preface: The Phantom Rider

Introduction - Literature of Doubt: Defining the Arabic Fantastic

Part 1: Theory
1. Marvels and Miracles: The Premodern Aesthetics of the Arabic Fantastic
2. The Arabic Fantastic, 2.0: A Theory of Reading

Part 2: History
3. Efendi Gothic, or: A Forgotten Prehistory of the Arabic Novel
4. The Arabic Fantastic as Planetary Fiction: The Poetics of Transmigration

Part 3: Reading
5. Horror for a Horrifying World: What the Arabic Fantastic Teaches Us About Reading

Conclusion - The Fantastic Art of Failure

Works Cited

About the author

Alexandra Shraytekh

Alexandra Shraytekh is Mellon-Bridge Assistant Professor of Arabic and International Literary and Visual Studies at Tufts University. Her academic publications include articles and book chapters on Gothic literature; magical realism; Arab-Jewish cinematic traditions; imaginaries of the nation. Her Arabic novels have been translated to English, French and German. She is a recipient of the Creative Capital Award (2022-2027) and was the Ellen von der Heyden Fellow at the American Academy in Berlin (2022).

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