
The Modern Arabic Fantastic
Alexandra Shraytekh
£95.00
Edinburgh Studies in Modern Arabic Literature
£90.00
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Published 30 April 2027
Offers a new method for evaluating the guises and functions of visible and invisible code-switching in 21st-century literary works
Responding to calls for renewed investigations into narrative multilingualism, Syrine Hout explores code-switching in contemporary Anglophone Arab literature as a multifaceted phenomenon that can conceal as much as it reveals to monolingual readers. Through analyses of six diasporic novels published across three continents, this book argues that creative writing itself can offer more nuanced and accurate understandings of code-switching, advocating a qualitative rather than quantitative approach to mapping the additional semantic dimensions of multilingualism in transnational Anglophone fiction.
Acknowledgements
Foreword
Introduction: Let the Texts Have their Say: Reconceptualising Literary Code-Switching
Part I: Liminalities as Interlingual Spaces
1. Koolaids: To Paint, Love, and Die in Arabic
2. The Bullet Collection: Contact Zones, Checkpoints, and Liminal Points
Part II: Speaking (Volumes) against Lebanese Phalange Extremism
3. De Niro’s Game: Translational Games as Critical Encoding
4. A Girl Made of Dust: The Sharp(er) Taste of Bilingualism
Part III: Multipronged Lingual Tactics during Global Crises
5. When All Else Fails: Swerving to Succeed in Surviving
6. The Lebs: Identitarian Politics and Discursive Code-Switches
Afterword: Future Directions for Writers, Readers, and Critics
Bibliography
Index

Alexandra Shraytekh
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