Edinburgh Critical Studies in Modernist Culture

Visionary CompanyHart Crane and Modernist Periodicals

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About this book

Studies Hart Crane’s publishing history and re-evaluates his reception history
  • Weds textual and literary-critical approaches to Hart Crane’s poetry and his avant-garde milieu, offering a fresh reading of transnational modernism
  • Offers a vivid portrait of forgotten periodicals and their artistic communities, introducing a wealth of new archival material, including previously unknown work from Crane’s last poetic project
  • Explores the periodical contexts in which modernist poetry fused material and aesthetic experimentation
  • Theorises periodical publishing as poetic form and creative-critical artistic practices
  • Explores Crane’s important and neglected influence on modern and contemporary poetry

This book examines the poetry of Hart Crane and his circle within transnational modernist periodical culture. It reappraises Crane’s poetry and reception and introduces several lost works by the poet, including critical prose, reviews and ‘Nopal’, a poem written in Mexico. Through its exploration of Crane’s close engagement with periodical culture, it provides a rich and detailed panorama of twentieth-century literary and artistic communities. In particular, this monograph offers a vivid portrait of forgotten periodicals and their artistic communities, examines the periodical contexts in which modernist poetry fused material and aesthetic experimentation and explores Crane’s important and neglected influence on modern and contemporary poetry.

Reviews

Visionary Company is an academic book, but it reads better than most and can profitably be enjoyed by anyone interested in Crane’s work, periodical culture, modernism, or all of these. It’s impeccably documented and draws capaciously from a wide variety of sources. With every page the reader shares the rewards of Bratton’s trawling through files and folders in dusty archives to bring this all to life again – and Crane himself, too.

Situating him deftly within different geographical contexts and cultural coteries, Bratton shows how Crane established truly transnational poetic and critical practices. Through judicious close readings and the excavation of exciting new archival material, she skilfully demonstrates Crane’s acute awareness of the publishing ecologies of modernism and the complexities of his writing and thought with which we continue to grapple.

Table of contents

Acknowledgements

Introduction

  1. ‘Imagist in Amber’: Post-Decadent Poetry and Greenwich Village

    1. ‘Are you Futuristic or are you not?’: Adversarial Editing and European Avant-Gardes

      1. ‘Champion Mixed Metaphors’: Graduating to The Dial and Poetry

        1. ‘A Scattered Chapter’: Publishing The Bridge

          1. ‘They have been lost’: A Year in Mexico City

            Epilogue: ‘The Shelley of my age’: Hart Crane’s Afterlives

            Bibliography

            Appendix:

              1. An overview of Crane’s periodical publishers
              2. Timeline of Crane’s periodical publications
              3. Timeline of Crane’s periodical rejections
            About the author

            Francesca Bratton

            Francesca Bratton is a Senior Lecturer in American Literature in the Department of English at Uppsala University. She has published articles and reviews in English, PN Review, Notes & Queries and Year’s Work In English Studies. In 2013-14 she was a Kluge Fellow at the Library of Congress.

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