The Sex Slave in CinemaAn Inegalitarian Spectacle

Examines cinema as a cultural venue that constructs and disseminates the sex slave figure on a visual plane

• A critical study that explores the cinematic sex slave’s origins in pre-cinematic European culture, this book traces the continuities, reconfigurations, and consolidation of this colonial gaze in the contemporary Western neoliberal imaginary while also searching for narratives that challenge or elude this order
• Identifies and elaborates a widespread iconography of ‘sex slavery’ that promotes a simplified vision of the sex trade by instrumentalizing an object to be ‘rescued’ and thus eliminated from the highly idealized self-projection of the neoliberal state and its particular relation to global capitalism
• Surveys the existing cinematic visual landscape and interrogates the ways race, gender, class, and sexuality are embedded in the images under analysis, working together to construct the ‘sex slave’ as a rhetorical tool to naturalize certain formulations of gendered subjecthood and reaffirm the uneven distribution of political agency, while simultaneously obscuring the complex ethics and economics of migrant women’s labor in the sex industry
• Considers a wide range of cinematic artifacts: silent films, including pornographic ‘stag’ films; European art cinema; Hollywood thrillers; blaxploitation film; Netflix-distributed Nigerian cinema; and the recent crowd-funded anti-trafficking narrative, Sound of Freedom. Reviews these works in light of cinema’s longstanding history of films that both represent and partake in erotic commodification, objectification, and exploitation of the female and feminized figure

This book examines the visual politics of the cinematic figure of the ‘sex slave’ from its origins in silent film to its iterations in blaxploitation cinema, European art cinema, Nollywood, and, in its most concentrated form, the Hollywood blockbuster thriller.

Through close analysis of several film texts that is informed by feminist theory, visual studies, critical race studies, and the political economy of sex work, this book argues that the sex slave has long functioned as a disciplinary spectacle that simultaneously commodifies and punishes female flesh. The sex slave is used to ‘sell’ a libidinal fantasy of rescue, not of the trafficked woman or child, but of the very economic and social order that exploits them.