The Highlands and Islands Film Guild (1946-71)A History of the Mobile Menace

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Published 31 October 2026

About this book

How cinema was transported and experienced by rural Scottish audiences in the post-war years

  • A comprehensive post-war history of institutionally organised rural cinema exhibition
  • Focuses on the cinema-going experience and collates the memories of its surviving spectators

This book provides the first history of rural cinema in Scotland through the focus of the Highlands and Islands Film Guild. It examines how this improvised and intimate form of cinema, made possible by the precedent of war time provision and the 16mm apparatus, was made available to rural and geographically marginal audiences who did not enjoy easy access to a permanent cinema.

The study traces the organised provision of cinema by the Guild established in the austerity years and examines how this non-theatrical, non-commercial cinema was sustained from its inception in 1946 through its expansion and eventual contraction, precipitated by the arrival of television and the movement out of austerity across the region at the end of the 1960s.

It highlights the work of the rural cinema operators employed by the Guild to exhibit film programmes in village halls and how this cinema was opposed by elements of the Free Presbyterian Church and experienced and remembered by community audiences.

Key audience research gathered from across the region will build an oral history of the cinema-going memories of this disappearing non-metropolitan audience, while it is still possible to communicate with this audience.

Reviews

The history of rural cinema and indeed of rural recreational cultures more generally remains seriously under-developed in Britain. This is an important study both for the history of Scotland and for cinema history more generally.
Table of contents

Acknowlegdements

List of Illustrations


1. Introduction

2. The Emergence of 16mm Non-Theatrical Cinema

3. Response to and Regulation of the Sub-standard Gauge

4. The Formation of the Highlands and Islands Film Guild

5. The Process of Film Selection

6. The work of the Operator: Personifying Cinema inside Highland and Island Communities

7. The arrival of television in the Highlands and Islands

8. Remembering the Film Guild

9. The Contraction of the Film Guild

10. Conclusion

Index

About the author

Ian Goode

Ian Goode is Senior Lecturer in Film and Television Studies, School of Culture and Creative Arts, University of Glasgow.