The Birth of the Financial ThrillerMaking a Killing in the 1970s

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About this book

Illustrates how the financial thriller is deeply intertwined with the economic transformation of the 1970s and considers the genre’s enduring legacy in today's financialised world
  • Offers the first in-depth analytical and theoretical account of the financial thriller genre
  • Provides a new framework for understanding the literary and economic history of the 1970s, linking the rise of financial thrillers to significant economic events such as the abolition of Bretton Woods and the oil crises
  • Anatomizes the genre’s thematic trinity of money, gold, and oil, its stereotypical characters, its volatile plots, and its pedagogical and moral impulses
  • Demonstrates the genre’s relevance to contemporary financial fictions and financial capitalism
Discover the untold story of the financial thriller, a genre pioneered by Canadian banker-turned-author Paul Erdman from a Swiss prison cell. Starting with the publication of The Billion Dollar Sure Thing in 1973, this book explores the genre’s evolution as a popular and even vulgar genre of financialisation, characterised by volatile plots centred on currency speculation where the central mystery is money, not murder. By contextualising the rise of financial thrillers within the dramatic events of the 1970s, such as the abolition of the Bretton Woods system and the oil crises, this book illustrates how a genre found the world of finance during a particular historical moment, but also how the world of finance found its genre. This compelling narrative connects the past to our present financial landscape, making it essential for anyone interested in the intersection of economic, literary and cultural history.

Reviews

A timely exploration of a curiously pedantic yet thrill-seeking genre which Mikkel Krause Frantzen aptly describes as finance’s own dream-image.
Table of contents

Acknowledgments

Introduction: 1973 – A Monument to Radical Instants
1. A Genre of Crisis, a Crisis of Genre
2. Holy Trinity: Money, Gold and Oil (the Brave New World after Bretton Woods)
Intermezzo I: Funny-Money Land
3. A Question of Character
Intermezzo II: The Silences of the Financial Thriller
4. The Bull and the Bear, or, The Thrilling Drama of Finance
Intermezzo III: The Art of Finance
5. The Author as Mansplainer: Pedagogical and Moral Lessons
Conclusion: This Is Not an Ending

Bibliography
Notes
Index

About the author

Mikkel Krause Frantzen

Mikkel Krause Frantzen is Associate Professor at the Department of Arts and Cultural Studies, University of Copenhagen. He is the author of several books, including Going Nowhere, Slow (2019), Klodens Fald (2021) and Slutspil (2024), and a literary critic at the Danish newspaper Politiken. He has been part of the research project “Finance Fiction - Financialization and Culture in the Early 21st Century”, co-edited the book Finance Aesthetics – A Critical Glossary (Goldsmiths Press, 2024) and has written extensively on financialisation and financial fictions of the 1970s from Paul Erdman to William Gaddis.