Interventions in Nineteenth-Century American Literature and Culture, 4

The Asian American RenaissanceLiterary Encounters Across Time

Format

£19.99

About this book

Uncovers the previously neglected links between the nineteenth-century American canon and twentieth-century Asian American writers

  • Bridges studies of nineteenth-century American literature with readings of twentieth-century diasporic Asian American texts
  • Advances a new formalist framework for understanding the influence of canonical authors such as Walt Whitman and Ralph Waldo Emerson on minority authors
  • Presents new archival research documenting the historic links between the major figures of the American Renaissance and the diasporic Asian American writers who encountered their works

How do transnational Asian American novels and poems reimagine the classics of nineteenth-century American literature? The Asian American Renaissance: Literary Encounters Across Time is the first scholarly investigation into the formal and archival links between canonical authors such as Whitman, Emerson, Hawthorne, and Melville and their twentieth-century Asian American counterparts. It investigates how a transnational group of authors—Carlos Bulosan, Younghill Kang, Maxine Hong Kingston, and Eileen Chang—inherit the American Renaissance as both a racial allegory and a supplier of literary forms such as the romance and the jeremiad.

Reviews

The Asian American Renaissance offers a fascinating account of how Asian American authors have incorporated the ideas, authors and texts of the ‘American Renaissance’ to critique liberalism and explore questions of Asian belonging. Required reading for those interested in nineteenth-century American and Asian American literature.
Table of contents

Acknowledgements

Introduction: The Afterlives of the American Renaissance
1. Younghill Kang, Nathaniel Hawthorne, and the Realist Romance
2. Carlos Bulosan, Walt Whitman, and the Transnational Jeremiad
3. Eileen Chang, Ralph Waldo Emerson, and the Search for Negative Freedom
4. Staging Civil Disobedience with Maxine Hong Kingston
Conclusion: Tradition and the Asian American Subject

Bibliography
Index

About the author

Mai Wang

Mai Wang is an Assistant Professor of Literature at the University of Texas at Dallas. Her critical and creative work has been published in Amerasia Journal, The Hopkins Review, Hyphen Magazine and other venues. She holds a PhD in English from Stanford University. She is currently working on her second book, a critical biography of the Chinese diasporic writer Eileen Chang.

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