Stepparents and Blended Families on ScreenGender and Genre in American Film and Television

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Published 30 April 2027

About this book

Explores the blended family on screen through gender and genre

  • Provocatively rereads the concept of family through analysis of non-traditional families in American film and television
  • Takes gender and genre as the focus and organisational strategy
  • Takes an interdisciplinary approach across film and television studies, family studies, sociological approaches, and social and political contexts
  • Case studies include films and television series such as Mrs Doubtfire, Three Men and a Baby, The Parent Trap, Jerry Maguire, Stepmom, Juno, The Fosters and Grey’s Anatomy

Stepparents and Blended Families on Screen: Gender and Genre in American Film and Television explores the representation of non-traditional families in American onscreen examples. Through a range of case studies, the book takes genre as its organising strategy in order to interrogate how different generic conventions channel the representation of the stepparent and the blended family. The book is therefore designed to sit alongside the many examples of scholarship of families on our screens, but with the original contribution of families that do not conform to normative and dominant ideologies of the traditional nuclear and biological family. Gender forms a key focus, and the book explores how concepts of masculinity and femininity are core to the ways that parents are depicted on our screens. The book therefore calls into question dominant norms of the family, what family is, and importantly what it can be.

Table of contents

Acknowledgements

Introduction

1. Something Wicked this way Comes: Stepmothers in Fairy Tale and the Horror Film

2. Daddy’s Home: Abusive, Bullying and Murderous Stepfathers in Horror Cinema and Coming of Age Drama

3. Rules, Norms and Transgression: Stepparents in the Comedy Film

4. Survival of the Fittest: Stepfamilies in the Disaster Film

5. Blended Families and Adoption Onscreen: Diversity in American Film and Television Drama

Conclusion

Bibliography

About the author

Caroline Ruddell

Caroline Ruddell is Reader in Film and Television in the Department of Arts and Humanities at Brunel, University of London. Her work involves the analysis of gender on and off screen across both live action and animation film and television. Some of her recent work includes exploring craft and handmade practices in animation, as well as the concept of play in animation. Caroline is Associate Editor for the Sage journal animation: an interdisciplinary journal and is Co-Book Series Editor for the Palgrave Animation series.