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Poetics of Love in the Arabic NovelNation-State, Modernity and Tradition

By Wen-chin Ouyang

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£100.00

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About this book

Considers the Arabic novel within the triangle of the nation-state, modernity and tradition

Wen-Chin Ouyang explores the development of the Arabic novel, especially the ways in it engages with aesthetics, ethics and politics in a cross-cultural context and from a transnational perspective.

Taking love and desire as the central tropes , the story of the Arabic novel is presented as a series of failed, illegitimate love affairs, all tainted by its suspicion of the legitimacy of the nation, modernity and tradition and, above all, by its misgiving about its own propriety.

  • Authors studied include Naguib Mahfouz; Ghassan Kanafani; Ibrahim Nasrallah; Emil Habiby; Jamal al-Ghitani; Ali Mubarak, Muhammad al-Muwaylihi, Badr Shakir al-Sayyab, Khalil Hawi and Salah 'Abd al-Sabur
  • Works studied include Arabian Nights and Maqamat
  • Addresses issues such as nation & nationalism, Arabic poetics of love, modernity & modernisation; the politics of desire, the poetics of space, women & cartography of nation, identity and intertexutality
Table of contents

Prologue: Presenting the Past: the Arabic Novel and Dialectics of Modernisation; Part I: Mapping the Nation; 1: Nation-State; 2: Nation-Without-State; Part II: Love; 3. Legitimacy of the Nation; 4. Impropriety of the State; Part III: Desire; 5. Decolonisation; 6. Modernisation; Afterword: Politics of the Past; Bibliography

About the author

Wen-chin Ouyang

Wen-chin Ouyang, FBA is Professor of Arabic and Comparative Literature at SOAS, University of London. Born in Taiwan and raised in Libya, she completed her BA in Arabic at Tripoli University and PhD in Middle Eastern Studies at Columbia University in New York City. She is the author of Literary Criticism in Medieval Arabic-Islamic Culture: The Making of a Tradition (1997), Poetics of Love in the Arabic Novel (2012) and Politics of Nostalgia in the Arabic Novel (2013). She has also published widely on The Thousand and One Nights, often in comparison with classical and modern Arabic narrative traditions, European and Hollywood cinema, magic realism, and Chinese storytelling. She founded and co-edits Edinburgh Studies in Classical Arabic Literature, and is also Editor-in-Chief of Middle Eastern Literatures. She was a member of the judging panel for Man Booker International Prize for Fiction 2013-15. A native speaker of Arabic and Chinese, she has been working towards Arabic-Chinese comparative literary and cultural studies, including Silk Road Studies.