Marie CorelliNew Perspectives on Cultural Currency in Popular Fiction and the Literary Marketplace
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Published 31 March 2027
About this book
Reframes Marie Corelli as an active producer of cultural value, reappraising her bestselling fictions via varied contexts and methodologies
- Offers new insight into the workings of popular fiction and mass appeal in Corelli’s time, with implications for the present day
- Brings together essays by leading and emerging researchers, with contributors working across English studies, health humanities, gender studies, publishing history, modernist studies, and comparative literature
- Broadens the critical approach to Corelli, using theories of affect, ecocriticism, necropoetics, and intertextuality, whilst reappraising Corelli’s engagement with literary decadence, aestheticism, gender, and science
- Rethinks and recontextualises Corelli in the wake of recent discoveries, commemorative dates, and significant changes to the field
Marie Corelli knew what it took to stay current through the late-nineteenth and early-twentieth centuries. She played on her relevancy to ‘her public’ in the face of criticism within the review pages. She engineered her own cultural significance by contriving connections to other writers, through intertextual references and conspicuous interventions concerned with the preservation of literary heritage and, in her late career, endeavoured to stay up to date by moving with shifting ideas of scientific discovery and gender, and by changing her publishing strategy. This book explores how Corelli’s contemporaneous fame and bestselling popular fiction were predicated upon a canny ability to capitalise upon emerging discourses, societal concerns and literary trends. Its chapters apply new critical approaches to bring cohesive understanding to Corelli as a literary phenomenon, persuade as to her significance in the wider field of Victorian studies and offer a transhistorical perspective on cultural currency and the popular voice.
Table of contents
List of Figures
Notes on Contributors
Acknowledgements
Foreword
Julia Kuehn
Introduction: Marie Corelli’s Cultural Currency
Eleanor Dobson and Joanna Turner
Part I. Leveraging Literary Genealogy
1. Respect and Respectability: Marie Corelli’s Performance of Canonicity
Gareth A. Reeves
2. ‘The Daughter of William Shakespeare’: Literature and Heritage in Marie Corelli's Stratford-upon-Avon, The Avon Star (1903), and ‘Shakespeare’s Mother’ (1889)
Anouska Lester
3. Marie Corelli, Charles Dickens, and the Contrivance of Literary Association in The Strange Visitation of Josiah McNason (1904)
Joanna Turner
Part II. Popular Fiction Trading on Deathly Margins
4. ‘I think the sea is a part of me’: Death, Doubling, and Delusion in Marie Corelli’s Aquatic Spaces
Rachael E. Murray
5. Assembling Senses and Haunted Spaces in Marie Corelli’s ‘The Lady with The Carnations’ (1887)
Rosario Arias
6. Demarginalising Marie Corelli: Necropolitics, Necropoetics, and a Decadent Bildung in Wormwood: A Drama of Paris (1890)
Petru Golban
Part III. Transactions in Cultural Currency at the Fin de Siècle
7. A Dispatch from a Decadent Age: Marie Corelli’s The Sorrows of Satan (1895)
Nick Freeman
8. Marie Corelli, Bestselling Decadent Novelist: Reappraising The Sorrows of Satan (1895)
Justin Rogers
9. Marie Corelli and the Vampire Boom: Appetite for Blood in the 1890s
Eleanor Dobson
Part IV. Renewal and Rebranding in the Twentieth-Century Marketplace
10. Marie Corelli, Marie Curie, and the Wonders of Radium
Anne Stiles
11. Revenge on Time: Plot and the Ageing Woman in Marie Corelli’s The Young Diana (1918)
Niyati Sharma
12. Mass-Market Marie: Corelli and the 1917–18 Serialisation of The Young Diana with Hearst Media
Kirsten MacLeod
Bibliography
Index