Edinburgh Studies in Islamic Art

Lajvardina WaresCobalt and Gold

Format

£175.00

About this book

Provides the first comprehensive study of lajvardina as a class of ceramics, their distribution in the thirteenth and fourteenth centuries and their reception in the nineteenth and twentieth centuries

  • Addresses an important but still poorly understood type of medieval Iranian and Central Asian ceramic wares
  • Defines the true scope of the extant corpus, and demonstrates the diversity of styles, forms and motifs
  • Analysis is built on the unimpeachable unaltered corpus of unrestored archaeological fragments
  • Integrates the study of later material produced in Russia and Central Asia into the corpus of lajvardina wares
  • Provides the first ever comprehensive study of Ilkhanid and later Golden Horde variants of lajvardina ware


This book examines the well-known but still poorly understood corpus of lajvardina ware from Iran, Central Asia and Russia. Acting as a follow-up volume to Mina'i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares Through Sherds (Edinburgh University Press, 2024), it employs a broadly similar methodological approach to the next phase in the development of overglaze painted wares. Most vessels in museums are rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. This is similar to mina’i wares, but, unlike the earlier technique, the majority of extant lajvardina wares are tiles, and not subject to the same level of restoration and overpainting.

Beginning with a study of the process of transition from mina’i to lajvardina (with a shift from primarily white glaze to cobalt blue, a decline in figural decoration and a proliferation of new vessel forms), the book then moves on to address the extant corpus of tiles and vessels and integrates the later, related, lajvardina wares produced in Central Asia and Russia in the fourteenth century for the first time. Finally, the book examines the reception, trade, publication and display of lajvardina from the late nineteenth century to today.

Table of contents

List of Illustrations
Series Editor's Foreword
Acknowledgements


Introduction

Chapter 1: Mina’i to Lajvardina: Continuity or Rupture?
Chapter 2: The Materials, Methods and Distribution of Lajvardina
Chapter 3: Lajvardina Vessels: Forms and Decoration
Chapter 4: Lajvardina Tiles: Takht-i Sulayman and Beyond
Chapter 5: Beyond Iran: Lajvardina in Central Asia and the Lands of the Golden Horde
Chapter 6: The Collection, Reception and Display of Lajvardina from the Mid-Nineteenth Century CE until Today

Conclusion

Appendices
Bibliography
Index

About the author

Richard P. McClary

Dr Richard Piran McClary is a Senior Lecturer in Islamic Art and Architecture at the University of York. He received his doctorate from the University of Edinburgh in 2015. He has lectured extensively on a range of subjects related to medieval Islamic art and architecture, and has conducted fieldwork in India, Iran, Turkey, Central Asia and across the Middle East. He is a specialist in the architecture and ceramics of the medieval Iranian world, and the history of the Islamic art market.
He has published three monographs; Mina’i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds (EUP, 2024), Medieval Monuments of Central Asia. Qarakhanid Architecture of the 11th and 12th Centuries (EUP, 2020), and Rum Seljuq Architecture 1170-1220. The Patronage of Sultans (EUP, 2017).
He has edited Stucco in the Islamic World: Studies of Architectural Ornament from Spain to India (EUP, 2025), and co-edited a volume with Andrew Peacock, entitled Turkish History and Culture in India. Identity, Art and Transregional Connections (Brill, 2020).
He has also published articles in numerous journals, including: Muqarnas, Iran, Persica, Anatolian Studies, the International Journal of Islamic Architecture, and the Journal of the Royal Asiatic Society. He has served as a trustee and the Research Director for the British Institute of Persian Studies, and is managing editor of the Journal of Islamic Art and Architecture.

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