New Materialisms

Karen Barad Beyond New MaterialismRhetoric, Transdisciplinarity, Physics

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Published 31 March 2027

About this book

Reinterprets Karen Barad’s work by showing that rhetoric is constitutive of agential realism, not merely ornamental

  • Challenges reductive accounts of Barad as either a scientific import into the humanities or a marginal figure for physics
  • Brings feminist theory, science studies and foundational physics into a new conversation through close rhetorical reading
  • Offers a new account of transdisciplinarity beyond models of boundary-crossing, synthesis and institutional collaboration
  • Places new materialism in the context of contemporary debates on transdisciplinarity and disciplinary relation

Stacey Moran reevaluates Karen Barad’s legacy, by showing that agential realism cannot be understood apart from the rhetorical and transdisciplinary practices through which it is articulated. Against humanities readings that celebrate Barad’s concepts while neglecting their formal construction, and against dismissals from physics that treat the work as philosophically suggestive but scientifically marginal, she argues that rhetoric is not secondary to Barad’s thought but constitutive of it.

Through close readings of style, metaphor, analogy, dramatisation and other textual strategies, Moran reconceives agential realism as a project that reshapes the relations among disciplines rather than simply borrowing across them. In doing so, she repositions Barad within debates in feminist theory, science studies and foundational physics, while also advancing a broader account of transdisciplinarity as an open, iterative and transformative engagement among heterogeneous practices of knowledge.

Table of contents

Acknowledgements

Introduction: The Problem of Reading Karen Barad


Part One
Chapter 1: Hearing Silence: Rhetoric, Transdisciplinarity, and Physics in Barad’s Reception
Silence as a Material Rhetoric
The Silence of Rhetoric
The Silence of Transdisciplinarity
The Silence of Physics
The Rhetorical Work of Silence

Chapter 2: Beyond Affirmation: The Rhetorical Life of Diffraction
Affirmation as Mood and Method
Diffraction Beyond Affirmation
A Rhetoric of Resonance in Diffractive Readings
The Additive Logic of Diffractive Blur
Diffraction as an Apt Metaphor

Part Two
Chapter 3: Dramatic Beginnings: Barad, Fiction, and the Staging of Agential Realism
Frayn in the Frame: The Silence Around Copenhagen
New Materialism After Theory: Transatlantic Genealogies, Institutional Crisis, and the Return of the Textual
Reading Frayn and Barad: Authorial Intent, History, and Performance in Copenhagen
Fiction as Apparatus: Artifactuality, Diffraction, and the Emergence of Agential Realism
Staging Transdisciplinarity: Why Barad’s Dramatic Beginning Matters

Chapter 4: Invented Schemes: Analogy, Thought Experiment, and the Making of Agential Realism
Barad Rejects Analogy?
Structures of Analogy
Tissues of Analogy
Rewriting Copenhagen: A Thought Experiment
Affects of Analogy

Chapter 5: At the Threshold of Nothingness: Epigraphs, Photography, and Agential Realism
Epigraphs as Thresholds
Integral Epigraphs
Rogue Epigraphs
Feeling the Threshold
Looking Otherwise: The Event of Photography

Chapter 6: In Lieu of a Conclusion: Toward Another Transdisciplinarity
Ten provocations

Bibliography

About the author

Stacey Moran

Stacey Moran is Assistant Professor of Media and Technology Studies in the Herberger Institute for Design & the Arts and the Department of English at Arizona State University. She has published work on feminist materialism, philosophical style, disciplinary relation, and scientific discourse.

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