
Critical and Clinical Cartographies
Andrej Radman and Heidi Sohn (eds)
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Published 31 March 2027
Reinterprets Karen Barad’s work by showing that rhetoric is constitutive of agential realism, not merely ornamental
Stacey Moran reevaluates Karen Barad’s legacy, by showing that agential realism cannot be understood apart from the rhetorical and transdisciplinary practices through which it is articulated. Against humanities readings that celebrate Barad’s concepts while neglecting their formal construction, and against dismissals from physics that treat the work as philosophically suggestive but scientifically marginal, she argues that rhetoric is not secondary to Barad’s thought but constitutive of it.
Through close readings of style, metaphor, analogy, dramatisation and other textual strategies, Moran reconceives agential realism as a project that reshapes the relations among disciplines rather than simply borrowing across them. In doing so, she repositions Barad within debates in feminist theory, science studies and foundational physics, while also advancing a broader account of transdisciplinarity as an open, iterative and transformative engagement among heterogeneous practices of knowledge.
Acknowledgements
Introduction: The Problem of Reading Karen Barad
Part One
Chapter 1: Hearing Silence: Rhetoric, Transdisciplinarity, and Physics in Barad’s Reception
Silence as a Material Rhetoric
The Silence of Rhetoric
The Silence of Transdisciplinarity
The Silence of Physics
The Rhetorical Work of Silence
Chapter 2: Beyond Affirmation: The Rhetorical Life of Diffraction
Affirmation as Mood and Method
Diffraction Beyond Affirmation
A Rhetoric of Resonance in Diffractive Readings
The Additive Logic of Diffractive Blur
Diffraction as an Apt Metaphor
Part Two
Chapter 3: Dramatic Beginnings: Barad, Fiction, and the Staging of Agential Realism
Frayn in the Frame: The Silence Around Copenhagen
New Materialism After Theory: Transatlantic Genealogies, Institutional Crisis, and the Return of the Textual
Reading Frayn and Barad: Authorial Intent, History, and Performance in Copenhagen
Fiction as Apparatus: Artifactuality, Diffraction, and the Emergence of Agential Realism
Staging Transdisciplinarity: Why Barad’s Dramatic Beginning Matters
Chapter 4: Invented Schemes: Analogy, Thought Experiment, and the Making of Agential Realism
Barad Rejects Analogy?
Structures of Analogy
Tissues of Analogy
Rewriting Copenhagen: A Thought Experiment
Affects of Analogy
Chapter 5: At the Threshold of Nothingness: Epigraphs, Photography, and Agential Realism
Epigraphs as Thresholds
Integral Epigraphs
Rogue Epigraphs
Feeling the Threshold
Looking Otherwise: The Event of Photography
Chapter 6: In Lieu of a Conclusion: Toward Another Transdisciplinarity
Ten provocations
Bibliography

Andrej Radman and Heidi Sohn (eds)
£31.00