Islamic Calligraphy

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About this book

Joint Winner of the 2007 British–Kuwait Friendship Society Prize for Middle Eastern Studies

Winner of 2008 World Prize for Book of the Year by the Iranian Ministry of Culture and Islamic Guidance

Selected as a 2007 CHOICE Outstanding Academic Title

  • A groundbreaking contribution to a key area of non-western art: the first reference work on the art of beautiful writing in Arabic script
  • Lavishly illustrated with over 150 colour photographs and over 100 b+w details highlighting salient features of the images
  • Illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script

The extensive use of writing is a hallmark of Islamic civilization. Calligraphy became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay.

Islamic Calligraphy explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. Designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy, it aims to help Westerners appreciate why calligraphy has long been so important in Islamic civilization.

Table of contents

List of Figures
List of Abbreviations
Glossary
Index
Part I: Introduction
1: Arabic Script: Its Role and Principles
2: Materials
Part II: The Development of Arabic Script in Early Islamic Times
3: The Standardization of Arabic Script
4: Early Manuscripts of the Koran
Part III: The Pre-Eminence of Round Scripts in the Early Middle Period
5: The Adoption of Round Scripts
6: The Proliferation of Round Scripts
Part IV: The Emergence of Regional Styles in the Later Middle Period
7: Calligraphy in Iran and its Environs under the Mongols and Turkomans
8: Rectilinear and Curvilinear Scripts in Egypt and Syria under the Mamluks
9: Other Styles and Centres
Part V: Dynastic Styles in the Age of Empires
10: The Safavids, the Qajars, and their Contemporaries in Iran and Central Asia
11: The Ottomans in Anatolia, the Balkans, and the Eastern Mediterranean
12: Other Styles and Centres
Part VI: The Many Faces of Islamic Calligraphy in Modern Times
13: From Traditional Styles to Graphic Design and Calligraphic Art
Bibliography
Copyright
Acknowledgements
Index

About the author

Sheila S. Blair

Sheila S. Blair is the Norma Jean Calderwood University Professor of Islamic and Asian Art and the Boston College and Hamad bin Khalifa Endowed Chair of Islamic Art, Virginia Commonwealth University.