Islamic Arts and CraftsAn Anthology

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£115.00

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About this book

A primary sourcebook for the study of traditional art and craft practices of the Islamic world

Islamic art is justly famed for its technological sophistication, varied approaches to ornament, and innovative employment of the written word. But what do we know about the skilled artisans who spent their lives designing and creating the paintings, objects and buildings that are so admired today?

This anthology of written sources (dating from the seventh to the twentieth centuries) explores numerous aspects of the crafts of the Middle East from the processing of raw materials to the manufacture of finished artefacts. You will learn about: the legal and ethical dimensions of the arts and crafts, the organisation of labour in urban and rural contexts, the everyday lives of artisans, the gendered dimensions of making things, and the impact of industrialisation upon traditional methods of manufacture. Each chapter begins with an introduction providing a wider context for the primary sources. There are also suggestions for further reading.

Key Features
  • Provides a clearly structured means to study descriptions of techniques employed in the arts and crafts and of the lives of artisans (male and female) in the Islamic world from the seventh to the twentieth centuries
  • The primary sources address the interests of students in a wide range of disciplines, including art history, archaeology, anthropology, and ethnography
  • New translations are presented of significant primary accounts written in Arabic, German, and French
  • Illustrated with maps, plans and images of Islamic arts and crafts

Reviews

Marcus Milwright’s Islamic Arts and Crafts: An Anthology illustrates his mastery of written sources as well as the diverse materials, processes, and objects they discuss. With substantial scholarly apparatus in the form of notes, bibliography, index, and appendix, it will help shape the growing field of Islamic material culture as well as that of Islamic art.'
Marcus Milwright’s comprehensive book brings a welcome renewed focus on diverse artisans, techniques, and materials of Islamic arts. Scholars and students alike will benefit from the thoughtful introductory essays and a rich array of primary sources representing a vast chronological and geographic scope, which illuminates key issues in the field today.'
Table of contents

List of FiguresAcknowledgementsNotes for the ReaderImage and Text AcknowledgementsIntroduction

Part 1: Foundations1. Theoretical Formulations

Part 2: Human Dimensions2. The Organisation of Labour3. Rituals, Songs and Poems4. Biographical Information5. The Lives of Artisans and Artists

Part 3: Resources6. Raw Materials I: minerals7. Raw Materials II: plants8. Raw Materials III: animals9. Mining and Metal Preparation10. City Descriptions

Part 4: Inorganic Media11. Copper12. Iron and Steel13. Other Metals: Gold, Silver and Tin14. Pottery15. Glass

Part 5: Organic Media16. Wood17. Basketry and Matting18. Leather19. Spinning, Bleaching and Dyeing20. Weaving21. Rugs, Carpets and Felt

Part 6: Writing and Painting22. Papyrus and Paper23. Calligraphy24. Painting

Part 7: Architecture and Engineering25. Building Techniques26. Vaulting and Architectural Decoration27. Engineering

Part 8: Economic Considerations28. Recycling and Repair29. Crafts in an Age of Competition and Change

GlossaryNames of Craft Activities in Arabic and PersianBibliographyIndex

About the author

Marcus Milwright

Marcus Milwright is British Academy Global Professor at the University of York, UK, and professor of Islamic Art and Archaeology at the University of Victoria, Canada. His research focuses on traditional craft practices, cross-cultural interactions in the Medieval Mediterranean, and the history of medicine. He is the author of A Story of Islamic Art (Routledge, 2023), The Queen of Sheba’s Gift: A History of True Balsam of Matarea (Edinburgh University Press, 2021), Islamic Arts and Crafts: An Anthology (Edinburgh University Press, 2017), and The Dome of the Rock and its Umayyad Mosaic Inscriptions (Edinburgh University Press, 2016).