From Harry Potter to the Wizarding WorldThe Transfiguration of a Franchise

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£19.99

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Published 31 March 2027

About this book

Explores the creative and commercial developments of the Harry Potter franchise during the 2010s

  • Examines a variety of media and cultural forms (authorship, a website, a theme park, a studio tour, a film trilogy and a play), bringing together academic exploration from interdisciplinary fields with an overarching theoretical and industrial framework
  • Each chapter explores a different franchising development and uses a combination of textual analysis and industry analysis to evaluate the role of these developments in relation to evolving franchising strategies
  • The book focuses on one franchise case study (Harry Potter) but places it within broader industrial context, making the book relevant for understanding developments in the wider media, screen, and cultural industries

The Harry Potter franchise is not confined to just the page or the screen, but has been and continues to be reimagined and reconfigured through a number of extratextual products, texts, and experiences which surround and rework the Harry Potter texts.

This book centres around the 2010s, or the ‘post-Potter era’, a period of unprecedented growth and reinvention for the franchise. Many of the franchising developments produced during this time operated according to distinct strategies: to consolidate the legacy of the Harry Potter series, or to extend the fictional universe into new settings, media and cultural forms.

This book explores six such developments - J.K. Rowling’s authorship, the website Pottermore, the ‘Wizarding World of Harry Potter’ theme parks, the Warner Bros. Studio Tour in Watford, the Fantastic Beasts films, and the stageplay Harry Potter and the Cursed Child – to shine a spotlight on a franchise in flux.

Reviews

From Harry Potter to the Wizarding World is a salient, long overdue analysis of the wealth and breadth of the story world in the post-book era, covering everything from online platform Pottermore, to its presence in Universal theme parks, the Studio Tour in Leavesden, the Cursed Child stage play, as well as the fledging Fantastic Beasts film series. Cassie Brummitt also convinces by reckoning with Rowling’s authorial control over the franchise, ever more important in light of her hateful and controversial presence in recent years.
Table of contents

Preface

Acknowledgements

Notes on the Text
Introduction: Beyond the Page and Screen

1. J.K. Rowling – From Author to Authority

2. Pottermore – Brand Management, Digital Publishing and Transmedia Storytelling

3. Rethinking Theme Parks: ‘The Wizarding World of Harry Potter’, or Fantasy Absolutely Reproduced

4. Negotiating Authenticity, Heritage and Prestige in the ‘Warner Bros. Studio Tour, London: The Making of Harry Potter’

5. Fantastic Beasts – A Corporate Beast?

6. “I am the new past ... I am the new future”: Staging sequels, and Harry Potter and the Cursed Child

Conclusion: From ‘Harry Potter’ to ‘Wizarding World’

Bibliography

About the author

Cassie Brummitt

Cassie Brummitt is Assistant Professor in Film and Television Studies at the University of Nottingham, UK. She is author of “Pottermore: Transmedia Storytelling and Authorship in Harry Potter” in the Midwest Quarterly (2016, vol 4) and ‘’Friends? Always.’: Queerbaiting, Erasure, and Ambiguity in Harry Potter and the Cursed Child’, in Queerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities (edited by Joseph Brennan). Her research interests include screen marketing and promotion, contemporary media franchising, and the cinema industry.