Crosscurrents

French Technological Thought and the Nonhuman Turn

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About this book

Uncovers the nonhuman turn’s unexpected roots in the avant-gardes and mysticisms of 19th-century France

  • Builds a new genealogy which highlights the unacknowledged expression of Catholic mysticism and avant-garde French literature in the nonhuman turn
  • Brings into play both canonical and non-canonical authors, from Symbolism to Surrealism and beyond
  • Mines unexplored elements of major thinkers, including Gilbert Simondon and Gilles Deleuze
  • Tackles the porous boundaries between literature, philosophy, science, politics and theology in French thought

French Technological Thought and the Nonhuman Turn traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary ‘nonhuman turn’ in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.

Tracking the unruly transition from Catholic vocabularies of grace, potentiality and actuality to the modern and contemporary secular lexicon of agency, virtuality and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy and theology, it offers readers new contexts – and questions – for the egalitarian ontological commitments of contemporary post- and nonhuman thinking.

Reviews

Chalmers' masterful work reads a range of late nineteenth- and early twentieth-century French writers and thinkers in order to uncover a lineage of technological thought that sheds new light on contemporary non-human theory. Illuminating and insightful, this book is an indispensable contribution to current thinking about technics and the nonhuman turn.
Taking her cue from the work of Bruno Latour and a “nonhuman turn” in cultural studies, she [...] explores a “technologos” running through avant-garde literary, technical, and Catholic thought. Interweaving these three discourses in which “religious and non- religious writers . . . mobilise a particular set of associations when they write about technology” to reveal a “distinctively French school of writing about technics” marks her contribution to historical-cultural scholarship.
Table of contents

List of Figures
Series Editor's Preface
Acknowledgements

Note on Editions

Introduction: Unruly Technics

Technologos
1. The Technologos: A Sacrament of Synthesis
2. Technics of the Fiat: The Metaphysical Machines of Jean Richepin, Villiers de l’Isle-Adam, Marcel Schwob, and Alfred Jarry
3. Charles Cros and the Time of the Technologos

Apocalypse
4. Technics and the Apocalypse: Didier de Chousy
5. Technics and the Virtual: Alfred Jarry and Henri Bergson
6. The Therapeutic Algorithms of Raymond Roussel

Ontotechnics
7. Surreal Technics I: André Breton’s Toolbox
8. Surreal Technics II: Tinkering with Gilbert Simondon
9. Gilles Deleuze and the Technologos

Conclusion: For the Love of Technics

Bibliography

About the author

Madeleine Chalmers

Madeleine Chalmers is Lecturer in French Studies at the University of Leicester. Her work revives modern French avant-garde writings to engage critically with twenty-first-century questions in the fields of science, technology, and epistemology.

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