Shakespeare, the Sea and the Stage
Peter Womack
£19.99
Edinburgh Critical Studies in Renaissance Culture
£19.99
Out of stock
Examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560-1630
By juxtaposing representations of the French civil war past as they appear (and frequently overlap) in historiography and tragedy from 1550-1630, Andrea Frisch tracks changes in the ways in which history and tragedy sought to 'move' readers throughout the period of the wars and in their wake. The book shows that a shift from a politically (and martially) active reading of the past to a primarily affective one follows the imperative, so clear and urgent at the turn of the seventeenth century, to put an end to violent conflict. The emotions that neoclassical tragedy and absolutist historiography sought to elicit were intended above all to be shared, and thus a medium via which political and religious differences could be downplayed or forgotten. The book aims to illuminate some of the ways in which the experience of the wars of religion, as registered in tragedy and historiography, contributed to a restructuring of the ever-vital relationship between emotion and politics, and thereby to historicize the very concept of 'esmouvoir'.
This is a brilliant and provocative book, upending a good deal of received wisdom concerning the roots of French neoclassicism, the history of tragedy and the emergence of modern historiography. Combining deep historical scholarship with enviable hermeneutic flair, it not only enlivens debates about the historical trajectory and character of early modern French literary and intellectual culture but also opens new avenues for discussion in future.
...an exciting and very welcome addition to studies on French historiography and theatrical tragedy.
It is hard to do justice to the richness of her argument through summary...the book fields an extended, subtle, and ultimately powerful argument that demands we rethink the connection between a number of cultural fields usually segregated.
…this extremely well-researched and argued study shows how "a program to promote national unity and reconciliation" gave rise to a poetics that moved tragedy far from current events in order to "buttress the authority of the monarch and divert attention from political troubles".
Very few works can accommodate so many ideas and analyses and still be a page-turner like Frisch’s book. This is a beautiful, seminal, crucial work, which scholars of the French Renaissance must consult.
This is a beautiful, seminal, crucial work, which scholars of the French Renaissance must consult.
This book is masterfully written. Very few works can accommodate so many ideas and analyses and still be a page-turner like Frisch’s book. This is a beautiful, seminal, crucial work, which scholars of the French Renaissance must consult.
Peter Womack
£19.99
Robert Hudson Vincent
£19.99
Penelope Anderson
£24.99

Katherine Walker
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Sophie Chiari and Anne-Marie Miller-Blaise (eds)
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Katherine Hunt and Dianne Mitchell (eds)
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