Deleuzian Fabulation and the Scars of History
Ronald Bogue
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Plateaus - New Directions in Deleuze Studies
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Published 30 April 2027
Applies the Deleuze-Guattarian project of schizoanalysis to reading contemporary poetry
Jason Skeet investigates how to apply the Deleuze-Guattarian project of schizoanalysis to engage with themes and problems relevant to twenty-first-century poetry. With concepts taken from both solo and collaborative works by Deleuze and Guattari, Skeet examines how their work can offer fresh ways of thinking about poetry.
He focuses on the work of six poets — Charles Bernstein, Robert Lax, Maggie O’Sullivan, Pierre Joris, Kenneth White and Bhanu Kapil — and offers readings of the poetry which explore how poetry can be said to be innovative, in what ways poems imagine new realities, and how poetry can be thought of as a disruption of linguistic and poetic conventions.
Deleuze, Guattari and the Schizoanalysis of Poetry sets out in detail what a schizoanalytic poetics involves and explores how reading poetry with Deleuze and Guattari can become an extension of the poetry itself.
Acknowledgements
Abbreviations
Preface by Gregg Lambert
Introduction: Schizoanalysis of Poetry and its Problems, Objectives and Method
1. Applied schizoanalysis: a primer
2. Bent ballads and pervert postures: Charles Bernstein’s ‘The Ballad of the Girly Man’ and the politics of poetry
3. Writing for a time to come: repetition in the poetry of Robert Lax
4. Making meaning in/with Maggie O’Sullivan’s murmur: tasks for mourning
5. From ‘shipwreck of the singular’ to post-media poetics: Pierre Joris’s Meditations on the Stations of Mansur Al-Hallaj as processual praxis
6. Reading the road: Kenneth White’s ‘struggle for subjectivity’ and the problem of the nomad
7. The people are (still) missing: Bhanu Kapil’s How to Wash a Heart and the problem of minor literature today
Conclusion: Memories of a Literary Critic
Ronald Bogue
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Aidan Tynan
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Axel Cherniavsky
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Hamed Movahedi
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Laurent de Sutter
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Janae Sholtz
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