Plateaus - New Directions in Deleuze Studies

Deleuze, Guattari and the Schizoanalysis of Poetry

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Published 30 April 2027

About this book

Applies the Deleuze-Guattarian project of schizoanalysis to reading contemporary poetry

  • Exemplifies ways to apply Deleuze-Guattarian concepts to reading cotemporary poetry, and in the process puts forward a schizoanalytic poetics
  • Highlights key debates, themes and problems relevant to twenty-first-century poetry and poetics
  • Uses Deleuze-Guattarian concepts to explore different ways of thinking about poetry, as well as the thinking that is particular to poetry

Jason Skeet investigates how to apply the Deleuze-Guattarian project of schizoanalysis to engage with themes and problems relevant to twenty-first-century poetry. With concepts taken from both solo and collaborative works by Deleuze and Guattari, Skeet examines how their work can offer fresh ways of thinking about poetry.

He focuses on the work of six poets — Charles Bernstein, Robert Lax, Maggie O’Sullivan, Pierre Joris, Kenneth White and Bhanu Kapil — and offers readings of the poetry which explore how poetry can be said to be innovative, in what ways poems imagine new realities, and how poetry can be thought of as a disruption of linguistic and poetic conventions.

Deleuze, Guattari and the Schizoanalysis of Poetry sets out in detail what a schizoanalytic poetics involves and explores how reading poetry with Deleuze and Guattari can become an extension of the poetry itself.

Table of contents

Acknowledgements
Abbreviations

Preface by Gregg Lambert

Introduction: Schizoanalysis of Poetry and its Problems, Objectives and Method

1. Applied schizoanalysis: a primer

2. Bent ballads and pervert postures: Charles Bernstein’s ‘The Ballad of the Girly Man’ and the politics of poetry

3. Writing for a time to come: repetition in the poetry of Robert Lax

4. Making meaning in/with Maggie O’Sullivan’s murmur: tasks for mourning

5. From ‘shipwreck of the singular’ to post-media poetics: Pierre Joris’s Meditations on the Stations of Mansur Al-Hallaj as processual praxis

6. Reading the road: Kenneth White’s ‘struggle for subjectivity’ and the problem of the nomad

7. The people are (still) missing: Bhanu Kapil’s How to Wash a Heart and the problem of minor literature today

Conclusion: Memories of a Literary Critic

About the author

Jason Skeet

Jason Skeet is an independent researcher, writer and electronic musician. His research focuses on the theory and practice of schizoanalysis and he received his PhD from Cardiff University for his project Writing the Real: Deleuze and Contemporary Poetry. He has published book chapters and journal articles in Journal of Scottish Thought, Word and Text: A Journal of Literary Studies and Linguistics, Rhizomes and Deleuze and Guattari Studies. He is also the editor of See You in Space: Selected Documents of the Association of Autonomous Astronauts.

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