Deleuzian Fabulation and the Scars of History
Ronald Bogue
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Plateaus - New Directions in Deleuze Studies
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Published 31 October 2026
Positions the strange and paradoxical concept of transcendental empiricism as the key to Deleuze’s work
The work of Deleuze immerses Kantian transcendental criticism into the dissolving bath of a renewed form of empiricism. Anne Sauvagnargues sets out to reconstruct this undertaking, and to analyse the astonishing creation of the concept of transcendental empiricism, which Deleuze pursues from his first monographs in 1953 to Différence et Répétition (1968), engaging in fertile debate and dialogue with the history of philosophy.
How does Deleuze use distortion and collage to combine Hume's empiricism, Nietzsche's theory of the sign as force, Bergson's virtuality and multiplicities, Spinoza's modes and Simondon's impersonal individuation to renew Kantian theory of the transcendental? This is the overarching purpose of Sauvagnargues’ investigation, which takes us into the thinker's laboratory in order to grasp philosophy in the making and helps to explain the insistence of the transcendental in all of Deleuze’s work.
Wherever a reader wishes to go in approaching Deleuze, these micro-readings by Anne Sauvagnargues are there with new paths for grasping Deleuze’s unforeseen encounter with the transcendental and empiricism. Studying the emergence of a ‘new image of thought’ with an engaged and canny translation by Taylor Adkins and Conor O’Dea, Sauvagnargues pursues the ‘kinetic bundle of problems’ raised by Deleuze work by work throughout his career.
Adkins and O’Dea provide a first-rate translation of one of the most important books on Deleuze, in which Anne Sauvagnargues explicates a bedrock Deleuzian concept, transcendental empiricism, with reference to the many important thinkers - from Kant, Bergson, and Spinoza to Proust, Simondon and more - on which he drew.
Translator’s Foreword
List of Abbreviations
Introduction: Creation of Concepts
I Transcendental Empiricism
II The Image of Thought
III Proust and Transcendental Critique
IV The Typology of Signs and the Theory of the Faculties
V ‘A Little Time in Its Pure State’: Bergson and the Virtual
VI The Apprenticeship of Signs
VII Spinoza and Structuralism
VIII Series, Surface Effect, Differenciator
IX The Dramatisation of the Idea
X Individuation, Modulation, Disparation
XI Singularities and the Impersonal Transcendental Field: Crystals, Lightning, Membranes
XII Difference and Intensity
XIII Of the Problematic
XIV Transversality and the Critique of Interpretation
XV Sign, Machine, and Orchid
Conclusion: Becoming and History
Bibliography
Index
Ronald Bogue
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