Visual and Material Cultures of Scotland

David Rizzio at the Scottish CourtHistory and Myth across Arts and Media

Format

£95.00

About this book

Explores the enduring influence of David Rizzio in Scottish and European art and material culture

  • Delivers the first account of David Rizzio’s extraordinary afterlife over 450 years, traced through diplomatic reports, visual arts, music, opera, literature, theatre, cinema and material culture, with case studies from Scotland, England, France, Italy, Germany and Spain
  • Reveals how Rizzio’s persona has been reimagined and reinvented across cultures and centuries
  • Sheds new light on the so-called “Rizzio guitar” exploring its provenance, symbolism, and role in shaping cultural memory
  • Publishes, for the first time in English, a newly discovered letter signed by Rizzio, opening the way to identifying further examples of his correspondence
  • Reframes the dynamics of cultural memory and historical storytelling, offering fresh perspectives on Rizzio’s place in Scottish history and identity
  • Brings together a multidisciplinary lens to examine the intersections of politics, art and cultural myth-making

This book studies the multifaceted impact of David Rizzio (c. 1533-1566), the Italian musician and courtier whose murder at the Palace of Holyroodhouse reshaped the destiny of Mary, Queen of Scots.

Remembered as a figure of scandal and romance, Rizzio has inspired fascination for over 450 years. This book traces his many reimaginings across Britain and continental Europe, from early diplomatic newsletters to various art forms including painting, literature and music.

By following his story across Scotland, England, France, Italy, Germany and Spain, chapters in the book highlight the strikingly transnational reach of his legend. They show how Rizzio became a cultural icon and reassess his enduring significance in Scottish/British cultural memory and identity and their wider European contexts.

Reviews

This highly innovative volume offers an unprecedented view of Rizzio as a historical figure rather than a footnote in the story of Mary, Queen of Scots. It also lays bare the rich and fascinating story of his cultural afterlife, from contemporary pamphlets to an extraordinary range of media, literature, and especially music.
Table of contents

List of Illustrations
Acknowledgements
Notes on Contributors


Introduction: David Rizzio: History and Myth across Arts and Media
Emanuela Patti

Part I: History and Myth: Life and Death of David Rizzio as a Courtier
1. David Riccio. Portrait of a Secretary
Lucinda Byatt
2. David Ricciolo, accorto, savio virtuoso: The Birth of the Myth in the Medici Avvisi
Carlotta Paltrinieri


Part II: Painting: David Rizzio’s Visual Representation across Centuries
3. Building a Story: The Iconography of David Rizzio
Alessandra Zamperini
4. Sir Walter Scott’s Victims of Progress: David Rizzio and Mary Queen of Scots in Sir William Allan’s The Murder of Rizzio (1833)
Robin Baillie

Part III: Music and Opera: The Myth of David Rizzio
5. The Blast of a Different Trumpet: David Rizzio’s Operatic Afterlife
Terence Sinclair
6. The Rizzio Guitar: A Little Scotch Mist?
John Reeve

Part IV: Literature, Cinema and Theatre: Portrayals of David Rizzio as ‘Other’
7. Romantic To Contemporary Mythscapes: The Entangled Otherness of David Rizzio in Scottish Literature
Carla Sassi
8. The Queer Foreigner: Portrayals of David Rizzio in Josie Rourke’s Mary Queen of Scots (2018) and Liz Lochhead’s Mary Queen of Scots Got Her Head Chopped Off (1989)
Domenico Di Rosa

Appendix
Bibliography

About the author

Emanuela Patti

Emanuela Patti is Lecturer in Italian at the University of Edinburgh. She is the author of Pasolini After Dante (2016) and Opera aperta: Italian electronic literature from the 1960s to the present (2022).