The Feminist Library: Essays in Cultural Criticism

Cora Kaplan – Double CrossingsFeminism, Race, the Popular

Format

£100.00

About this book

Collates a selection of Cora Kaplan’s pioneering feminist cultural criticism

  • Examines the role of fantasy and imagination in the cultural history of racial and imperial thought, drawing upon writing from the colonial and postcolonial eras
  • Explores the breaks and continuities between popular and canonical texts by highlighting the complex moments of cross-fertilization between them in which radical and conservative interruptions and realignments give rise to new socio-cultural possibilities in fiction and film
  • Close readings of key and often understudied historical texts, ranging from the contested reception of Mary Wollstonecraft’s Vindication of the Rights of Women (1792) to “Jane Austen’s legacy to American crime fiction” and popular suspense narratives like Kathryn Bigelow’s 1990 movie Blue Steel (1990)

The essays brought together in this book span the last quarter century of Cora Kaplan’s imaginative thinking and writing about the interrelated questions of gender, race, class and empire. They include work on feminism’s cultural politics, women’s writing on race and empire in Britain in the long nineteenth century, the reimagining of gender in modern crime writing and popular film, and the political/personal work of memoir. Linked by an historical approach to literary and cultural works, all these pieces pay keen attention to the busy crossroads of wider political, social and cultural traffic at the time of a work’s first appearance. These essays chart the changing agendas in contemporary literary studies with particular reference to the shifting profile of modern feminism, postcolonial history and theory, and the increasingly rapid circulation of narrative tropes across a variety of new and traditional media sites and settings.

Reviews

Cora Kaplan’s métier was the essay. This volume sparkles with her brilliant observations and incisive analyses. A powerful feminist voice for over four decades, Kaplan’s essays on race in literary and visual cultures were often ahead of their time - they are as relevant today as they were then.
Table of contents

Introduction

Sources and Acknowledgments


Part I. Feminist Afterlives

1. Mary Wollstonecraft’s Ghosts (2002)

Part II. Race, Slavery and Empire in the Nineteenth-Century Imagination

2. ‘A Heterogenous Thing’: Female Childhood and the Rise of Racial Thinking in Victorian Britain (1996)

3. Imagining Empire: History, Fantasy and Literature (2006)

4. Slavery, Race, History: Harriet Martineau’s Ethnographic Imagination (2010)

Part III. Crimes and Misdemeanours

5. Dirty Harriet/Blue Steel: Feminist Theory Goes to Hollywood (1993)

6. Josephine Tey and Her Descendants: Conservative Modernity and the Female Crime Novel (2011)

7. Jane Austen, Modern Masculinity, and Crime (2004)

8. The Death of the Working-Class Hero (2004)

Part IV. Past and Present Passions

9. Introduction: Salt and Bitter and Good: Three Centuries of English and American Women Poets (1975)

10. Witchcraft: A Child’s Story (1996)

11. The Golden Notebook and Me: A Reprise (2010)

12. 'A Cavern Opened in My Mind': The Poetics of Homosexuality and the Politics of Masculinity in James Baldwin (1996)

About the author

Cora Kaplan

Cora Kaplan (1940-2024) was Professor Emerita, University of Southampton and Honorary Professor in the School of English and Drama, Queen Mary, University of London. Her books include Victoriana: Histories, Fictions, Criticism (2007); Genders (with David Glover; 2000; 2009); Sea Changes: Essays on Culture and Feminism (1986); Salt and Bitter and Good: Three Centuries of English and American Women Poets (1975; 2020). From 1992-1995 she served as Director, Institute for Research on Women at Rutgers University, New Jersey.

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