Close Reading as Attentional Practice

Format

£19.99

About this book

The first cross-historical study of the relationship between methods of close reading and discourses on attention
  • Explores the ways in which attention can be (and has been, across history) multifariously configured: not only as a solitary and focussed mode, but also, for example, as a somatic, communal, or dispersed mode
  • Traces a long history of methods of close reading that provides a broader understanding, beyond the influential practitioners of the early twentieth century
  • Examines how practices of reading can help us develop the tools to challenge habits of attention and to be more self-reflective about the attentional practices that condition our experience

Modernity of the digital age is beset by accusations that we are more distracted than ever, and that attention spans have become problematically compressed. It is an important moment, then, to explore the capacity of the tools of ‘close reading’ offered by our humanities disciplines to help develop and enable self-reflexivity around our attentional practices. These practices did not begin with the famous proponents of the early twentieth century but have been in formation since at least the Middle Ages. Exploring examples from the twelfth to the twentieth century, this book explores how methods of reading closely have been tools over the centuries for changing or challenging attentional habits and therefore changing the way the world is experienced.

Reviews

When attention is under siege, reading remains our best defence – not as shelter, but as training. Across centuries, from Bernard of Clairvaux to Austen and Proust and beyond, reading teaches us to notice how we notice. The essays in this volume do the same: by attending to each other, they invite us to join the conversation.
Table of contents

List of Figures
Notes on Contributors


Introduction: Close Reading and Attention
Marion Thain and Ewan Jones
1. Literary Attention, Animation and Imagined Communities in Bernard of Clairvaux’s Sermons on the Song of Songs
Julie Orlemanski
2. Reading as a Mode of Attention: Medieval Prayer Practice and the Reader’s Speculation
Racha Kirakosian
3. Genesis of Attention to Secular Verse: Sir Philip Sidney’s Defence of Poesy and Elizabethan Poetic Theory
Nigel Smith
4. ‘A Stranger Upon Earth’: Thomas Traherne, Meditation and the Form of Poetic Attention
Jane Partner
5. Divided: Distraction as a Vibrant Style of Mind in Jane Austen
Natalie M. Phillips and Sydney Logsdon
6. Aesthetic Technologies of Attention: Aestheticism, Impressionism, Criticism and Oscar Wilde
Marion Thain
7.
On Interest and Being Interested: Attention and Reading in Proust
Patrick ffrench
8. Reading in a Darkened Room: I. A. Richards and the Uses of Distraction
Ewan Jones
9. Close Reading and the Hermeneutic Circle of Attention
Atti Viragh
10. Lydia Davis and the Power of Sentences
Eileen John

Index

About the contributors

Marion Thain

Marion Thain is Professor of Culture and Technology at the University of Edinburgh and Director of Edinburgh Futures Institute. She publishes primarily on the relationship between culture and technology (understood in the broadest terms) and her current projects sit within the interdisciplinary field of attention studies. See marionthain.org for more details.

Ewan Jones

Ewan Jones is Associate Professor of English at the University of Cambridge. He is the author of Coleridge and the Philosophy of Poetic Form (2014) and The Turn of Rhythm: How Victorian Poetry Shaped a Concept (2023), along with numerous articles on prosody, poetics, digital humanities and pedagogy, for journals that include Critical Inquiry, Representations and ELH.