
Hollywood Noir's Women Performers
Julie Grossman and R. Barton Palmer
£95.00
As Chinese performers have become more visible on global screens, their professional images - once the preserve of studios and agents - have been increasingly relayed and reworked by film fans. Web technology has made searching, poaching, editing, posting and sharing texts significantly easier, and by using a variety of seamless and innovative methods a new mode of personality construction has been developed. With case studies of high-profile stars like Jet Li, Jackie Chan and Donnie Yen, this ground-breaking book examines transnational Chinese stardom as a Web-based phenomenon, and as an outcome of the participatory practices of cyber fans.
Lau’s book valuably contributes to a growing body of literature nudging film theory beyond the filmic. This, then, is film theory for the twenty-first century: it acknowledges (and hypothesizes about) the impact of Web culture on all aspects of cinema, from the manufacture of star personae to new viral forms of film distribution and promotion.
If you’re even remotely interested in Chinese cinema or digital media, I beseech you to read this book. Lau’s analysis is diligent, smart, and she writes with gimlet-eyed conviction. The proposition that fans create meaning out of their virtual interactions with popular stars is thoroughly tested on this proving ground.

Julie Grossman and R. Barton Palmer
£95.00
Lisa Funnell, Wayne Wong and Dorothy Wai Sim Lau (eds)
£95.00Feb 2027

Romain Chareyron (ed.)
£19.99Oct 2026